I’ll be the first to admit that I am not as well read as I’d like to be…I was never forced to read Sir Walter Scott’s Ivanhoe in school, so I really can’t suppose you how grand of what was in the book actually made it into the 1952 film, but I suspect a valid deal probably got lost in the translation given that the current current seems exceptionally long (depending on the publisher, it ranges anywhere between 500 to 700 pages) . Despite what may have been left out (probably a lot regarding the development of the characters), I composed believe Ivanhoe (1952) is a darn profitable film proper of anyone’s time. Directed by Richard Thorpe (The Thin Man Goes Home), the film stars Robert `The Man With the Perfect Profile’ Taylor (Knights of the Round Table), Joan Fontaine (Rebecca, Suspicion), and Elizabeth `I’ve been married eight times’ Taylor (National Velvet) . Also appearing is George Sanders (A Shot in the Dusky), Emlyn Williams (They Drive by Night), Robert Douglas (The Desert Rats), Felix Aylmer (Knights of the Round Table), and Guy Rolfe (Snow White and the Three Stooges, Mr. Sardonicus) as the dastardly Prince John.
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After returning from the Crusades (the general consensus was that he croaked), the Saxon knight Wilfred of Ivanhoe (Taylor) finds the kingdom in a site of disrepair. The Normans, lead by the opportunistic Prince John (Rolfe), have assumed control of Mother England after the disappearance of King Richard (he actually got waylaid returning from The Crusades, and is now being held for ransom in Austria, which Prince John knows, but has decided not to pay up, keeping the whole affair on the QT) . Ivanhoe thus begins his quest, in Richard’s name, to assume the Norman villainy from the throne by inviting the unique power structure, and wheelin’ and a dealin’ to reach up with the funds to free Richard, through the serve of Isaac of York (Aylmer) and his delicate daughter Rebecca (Ms. Taylor), who are both of the Jewish persuasion, and looked down upon equally by the Saxons and the Normans (Isaac’s incentive is a guarantee from Wilfred on behalf of Richard that Isaac’s persecuted peoples will be granted a home in England once Richard has returned…seems like a haughty promise on Wilfred’s piece) . Oh yeah, Ivanhoe must also mend fences with his father, who disowned him after a incompatibility of plan with regards to The Crusades, renew his relationship with his father’s ward, the comely Lady Rowena (Fontaine), and enlist the support of Locksley (Robin Hood) and his merry men. Donning the garb of the Shaded Knight, Wilfred challenges the obnoxious Norman monarchy of Prince John and his lackeys Sir Brian de Bois-Guilbert (Sanders) and Sir Hugh De Bracy (Douglas), the victor gaining a kingdom, the loser subject to death.
I really liked this film, and I understanding it was too poor it wasn’t made a year or two later than it was (the huge scale usage of Cinemascope was impartial around the corner), as it would have benefited greatly with a panoramic showing, especially the colossal battle scenes. Regardless, some may say they unbiased don’t originate them like this anymore, and I would tend to agree…oh, they (they being the modern Hollywood system) try, with original releases of Troy (did anyone else reflect Troy was a bit on the homoerotic side? ) and Alexander, but too often those films collect swept up with the titanic visuals, forgoing the distinguished aspect of helpful acting and a decent myth. Ivanhoe presents both, and in spades. I did feel some of the characters were a bit light (especially that of Elizabeth Taylor’s Rebecca), but given the berth of the current material, some things obviously had to be minimized or discarded altogether. That being said, I opinion the sage fairly intricate, featuring a suited many facets and good acting that kept me keen. Robert Taylor did well and oozes the chivalry one would seek information from from the once nobleman correct to his liege. I especially liked the characters of Prince John, played by Guy Rolfe and Sir Brian de Bois-Guilbert, played by George Sanders…they were both equally inappropriate types that could easily elicit sneers from the audience anytime they appeared on mask (actually, later on, Sanders’ character did seem to occupy a smattering of what one might call a redemptive quality, but his motives were all screwy, so we didn’t feel unpleasant when he met the ending he did) . Despite the film being thick with yarn, it doesn’t lack in the action department. I could actually feel the competitors being shanked off their horses during the jousting scenes, the castle siege come the destroy was done extremely well, as was the fierce, halt quarters battle between Wilfred and Sir Brian. And if you’re one for the ladies, Ms. Fontaine and Ms. Taylor (who seemed a bit lackluster in her performance, but then a lackluster Elizabeth Taylor performance is collected better than most) provide plenty of beauty, along with their other talents (search for for the scene where Ms. Taylor’s character is on trial…she possessed an unparalleled level of hotness in that tubby length white dress) . This is one of those films that clicks on all cylinders, as all the elements (the rich and vibrant color cinematography, worthy musical glean, acting, costumes, etc.) work together well to design a wonderfully fascinating slay result.
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The chubby shroud narrate (1.33:1) looks grand on this DVD, and the audio comes through clearly. Special features include the Oscar winning Tom and Jerry short `The Two Musketeers’ (I always liked that one, although I always understanding it kinda creepy the diagram it ended, with the inferred beheading of one of the main characters…), along with a Swashbuckler movie trailer gallery that includes one for this film, Knights of the Round Table (1953), and one for a film called Scaramouche (1952) . Warner Home Video is getting a petite better with its’ inclusion of extras, but level-headed has a long design to go.
Cookieman108
This movie is what we spend to call “a superb one from Hollywood”.
It was filmed in 1952 in pretty Technicolor when Hollywood was launching one hit after other, “Ivanhoe” passed with quite fine marks.
I was a kid when it was released and saw it with undivided attention as most of my age-mates and parents.
I recently viewed the VHS version again and I am quiet fond of this film. Is it a gargantuan movie? No. Is it a suited movie? It certainly is and fully exciting!
Based on Sir Walter Scott well known new is a rich mixture of history, romance and drama.
It narrates the adventures of Wilfred of Ivanhoe, a knight of Saxon origins, who has gone into the Crusades against his father’s will.
He returned to England to raise funds in order to rescue his imprisoned King, Richard Lionhearted.
He founds the kingdom ruled by John Lackland, Richard’s junior brother, who by no means will cooperate and more so will try to end his intents.
From here on adventures follow with jousts, castle’s sieges, rescue of the aged, difficult romances, out-laws helping the knight, snide knights trying to waste our hero but to no avail.
You name it you have it!
It was directed by Richard Thorpe, an artisan with 186 films in his memoir. He has started directing movies in the peaceful period. He was very versatile, directed Johnny Weissmuller in four Tarzan’s chapters.
Between 1951 till 1953 he delivered at least four successful movies: “The Expansive Caruso” (1951), “The Prisoner of Zenda” (1952), “Ivanhoe” (1952) and “The Knights of the Round Table” (1953) . He retired in 1967.
The Taylors originate paramount. Robert gives the viewers one of his classic hero’s portraits with skill and wit. Elizabeth is very young and attractive woman, she also delivers a very worthy acting part. Even if she was never very fond of this film, WE were, and it is known: the public rules.
George Sanders as the bad Bois-Guilbert is very convincing. Joan Fontaine as Lady Rowena is a miniature veteran.
A final reference for musical net authored by Budapest born Miklos Rozsa: underline forcefully the movie pictures.
If you like romance and adventure, do not miss this film!
Reviewed by Max Yofre.
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